Todd’s Favorite Albums of 2009

The problem with maintaining a digital music library is that it gets so easy to acquire that there’s hardly time left to appreciate. So while I easily listened to over 100 new releases in 2009, each met with at least a modicum of enthusiasm and anticipation, looking back there were only a handful that truly resonated with me and begged for repeated listens as the year wore on. There were plenty more quality releases that I could have included here, and some of my choices may be obvious to people who (like me) spend an unhealthy amount of time reading and writing these sorts of lists, but these are probably my 10 favorite albums of 2009:

10. Bill Callahan – Sometimes I Wish We Were An Eagle

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“Too Many Birds” (buy)

For someone with a voice as oaken and stout as Bill Callahan’s, he sure has a fleet-footed deftness in tackling ephemeral subjects, crafting Byzantine-tinged fables about familial burdens or grappling with the sudden loss of a perfect song that appeared in a dream and dissipated in the morning. This album, for me, is a little like an old Navy peacoat: heavy and maybe a little musty at times, but reliably built and familiar enough with broken-in grooves to comfortably return to when the weather demands it. Read More »

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Scotter’s 2009 Music Picks and Stuff

When we posted our first year-end lists way back in 2006, the whole mp3 blog thing was still fairly new. We certainly weren’t the trailblazers, but we did have the advantage of starting our little music blog before the internet became flooded with the likes of us, before services like Hype Machine and Elbo.ws were required to sift thru the ever-growing cosmos of the music blogosphere.

So instead of ranking and listing and widdling down and hierarchizing as I’ve done for the past few years, I’m just going to give you my favorites in a few catagories that I hope matter to you. The good news is that my favorite music this year and this decade doesn’t seem to be everybody else’s favorite music, which gives me a chance to advocate for only a handful of artists, in the hopes that they’ll reach your ears with the same delight that they’ve reached mine.

Best Local Detroit Track of the Year

“Electric Way” – Zoos of Berlin
from Taxis (Lala | emusic | Amazon)

Zoos of Berlin

This year, I made it to only a fraction of live shows, compared to years past. But I still must have seen Zoos of Berlin 6 or 7 times. I’m a fan of all the tracks on their debut Taxis and their EP, there’s something about “Electric Way” that keeps me coming back. It’s like nothing else they’ve released–a dance party jam. Those first few snare hits from drummer Colin Dupuis launch you into a devastating rhythm of Trevor Naud’s bright-toned guitar rakings and Will Yates’ Stevie Wonder-like keyboard taps, with Daniel Clark holding it down with a slow, laid-back, and sleek bass line. The breakdown is fucking majestic. And the highlight of the song for me is Dupuis’ gradually resounding crash cymbal hits, coming out of the bridge at 2:50–a little touch that makes a hell of an impact. Read More »
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Amy’s 2009 Year-end Best-of: THE MIX CD

2009: THE (Ultimate) MIX CD
OR: 2008 was a clunker, but 2009 was all cash

Follow the link at the end of the post to download the mix CD as a .zip file.

http://image.guardian.co.uk/sys-images/Arts/Arts_/Pictures/2007/08/06/mountmckinley460.jpg

If you’ve been a regular reader of the Post-Rockist’s best-of lists for the past two years, you know the drill by now: with only loose regard for new releases, I stitch together an aural topography map of the year’s emotional terrain.

Well. This year was goddamn Mount McKinley.

Three years ago, I was just a jaunty, freshly Bachelor of Arts’d kid, living in Milwaukee for no particular reason and writing about music when the mood struck. This year, I quit my job, gave away my heavy old record player, packed up my clanky apartment, had a shot and a beer at the Polish Falcon and loaded a van for a lake crossing out of Milwaukee and back to Michigan.

We tell our friends, and each other, different stories about how it “all started.” He thinks it all started when he sought some crowd-sourced advice about Twitter, but we were already g-chatting regularly by then. I blame the night I took my laptop to the bar and drank Malbec, the night Scott gave me that Leonard Cohen “Marita/Please find me/I’m almost 30″ line. The deal was pretty much sealed by the time he sent me Simon Schama’s Power of Art DVDs (plus a CD of four Jonathan Richman songs about artists; at the bar that night, I drunkenly blathered that it was a SIGN), and clearly, by the time we wrote that song together (BEST OF 09!!), something irrefutable was afoot.

But I really think it “all started” when Todd’s savvy, super-smart wife Kim — a friend of mine from high school — said, three years ago, “Todd! Get some women writing about music for you.” And I’m not just talking about the big story of 2009 that began in January and unfurled toward inevitability.

That’s a longer, more abstract yarn about growing up and finding myself, though, so as not to bore you, I’m just going to get right to the play list, which tells a better tale than I really can in words. Read More »

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Andrew’s Two Favorite Metal Albums of 2009

Death Metal Album of the Year

Unleash the Carnivore by Devourment

Field of the Impaled

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from Unleash the Carnivore

To many metal aficionados, Devourment is a punchline.  The subgenre they helped create, slam death metal, is often described using the adverbial modifier “ultra fucking” before such adjectives as “guttural,” “brutal,” and “sick.”  Their ultra fucking offensive t-shirts certainly don’t gain them much respect among thinking metal fans, who can more guiltlessly wear a shirt knocking Christ down a peg than one grotesquely defiling half the human population (namely, the half with uteri).  I hadn’t spent more than twenty minutes of my life listening to or thinking about Devourment before seeing them at Maryland Deathfest, which I waxed so eloquently about right here on these e-pages.

And boy oh boy, were they fun to watch.  They didn’t have any gross onstage gimmicks or any offensive banter.  They were just four dudes who came up and played some tunes with titles like “Deflesh the Abducted” and “Masturbating at the Slab” and, for some reason, maybe the groove, maybe my exhaustion, made me want to dance like an idiot.  I got a hold of Unleash the Carnivore when I got home and it is the same ultra fucking brutal, guttural, slamming, sick, epic death metal I loved so much at the fest.  Don’t plan on looking to your left or your right after listening to this album because your neck is going to be ultra fucking sore. Read More »

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E. Kula’s Choicest Picks for 2009

Please note: A mix of E. Kula’s finest cuts of 2009 can be found in a .zip file at the bottom of this post.

Top Ten Albums 2009

10. GroomsRejoicer (Death by Audio)

9. Manic Street PreachersJournal for Plague Lovers (Columbia)

“This Joke Sport Severed”

Read More »

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Todd’s Favorite EPs of 2009

Maybe it’s a result of my hampered attention span, or maybe it’s a noncommittal fear stoked by the ceaselessly fast churn of new musical acquisitions as demanded by the perpetually buzzing hive mind of blogging culture, but I really felt drawn toward the EP format this year as a way to discover and indulge in new music without having to sit through — god forbid — the entire 40-plus minutes required for full length albums. Keeping in the spirit of the times, here are a few of my favorite EPs of the year:

10. Deerhunter – Rainwater Cassette Exchange
Deerhunter - Rainwater Cassette Exchange

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“Famous Last Words” (buy)

Deerhunter is window shopping on the Rainwater Cassette Exchange EP. With “master the art of psychedelic drone rock” checked off their musical bucket list, the band has taken the opportunity to set aside their heavier sonic baggage and experiment with a leaner, more diverse set of styles. In the course of a spare fifteen minutes, Deerhunter manage to traverse from languid tropical punk to hyper-compressed Krautrock to a jangly, piano-and-tabla Georgian raga before returning to the tremolo-tinged garage rock they mastered back on Microcastle, all without breaking a sweat or indulging in so much as a single extraneous guitar solo.

9. Johnny Headband – Phase 3
Johnny Headband - Phase 3

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“Wastin’ Time” (download)

Resurrecting the frenetic energy of rave-era Primal Scream with the clamoring expansiveness of TV on the Radio, Johnny Headband have released a beast of an EP — a post-apocalyptic bacchanal rife with electrically charred bass, sandstorm guitars and howling, multi-tracked harmonies. It’s just a shame that a noise this bombastic wasn’t heard by more people outside Detroit.

8. Julianna Barwick – Florine
Julianna Barwick - Florine

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“Cloudbank” (buy)

Spectral choral music for the driftless. Recommended for those who thought Sigur Rós were too structured for their tastes. Read More »

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Here’s the Thing #7: Meet Us at the Hotel Room

At long last, it’s the year-in-review episode you’ve been eagerly anticipating, in which Andrew and Liz laugh, cry, and live a whole lifetime while discussing the best and worst hits of the year.  Stream or download below to hear our thoughts on half-assed Lil Wayne guest verses, European rhythmics, and the independent women who have Akon’s attention.

Listen here

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Download it!

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